The music for Igor Stravinsky’s 1917 L’Histoire du Soldat (A Soldier’s Tale) and Wynton Marsalis’ 1998 A Fiddler’s Tale span the 20th century’s ventures into operatic jazz.
Duke Ellington wrote his opera "Queenie Pie" to project a more positive depiction of his race in America.
Wendall Harrington, often called the "Godmother of Projection Design", is the designer for LA Opera's new Lucia di Lammermoor.
Tenor Greg Fedderly's roles as a "comprimario" in many operas (including LA Opera's "Magic Flute").
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